Here is where we’ll bring you coverage of books. General criticism, reading lists, editorial picks, and much more!
Lazarus Trubman is a college professor from the former USSR, who immigrated to the United States in 1990. In 2017, he retired from teaching to devote his time to writing. He’s been published in The Threepenny Review, Vestal Review, Lit Mag, Digging Press, Forge, Black Mountain Press and other publications. Keep an eye out for Lazar's story Toxic Susan in our upcoming Fall issue No. 285!
Kevin Heslop's poetry will be featured in the upcoming Summer issue of The Fiddlehead. He is the author of there is no minor violence just as there is no negligible cough during an aria (Frog Hollow, 2019) and the forthcoming collection the correct fury of your why is a mountain (Gordon Hill, 2021). Read more to find out what Kevin is reading!
Elena Johnson is the author of Field Notes for the Alpine Tundra (Gaspereau, 2015), a collection of poetry written at a remote ecology research station in the Yukon. A finalist for the CBC Literary Awards and the Bailey Prize, she lives in Vancouver, where she works as an editor and writing mentor. Her poem Casa Museo Manuel de Falla was featured in the Winter 2020 issue of The Fiddlehead.
Check out Elena's reading recommendation; a novel she describes as a restful, intriguing and escapist read.
Kevin Spenst is the author of Ignite, Jabbering with Bing Bong (both with Anvil Press), and over a dozen chapbooks including Pray Goodbye (the Alfred Gustav Press), Surrey Sonnets (JackPine Press), and most recently Upend (Frog Hollow Press: Dis/Ability series). Two of Spenst's poem were featured in The Fiddlehead issue 282 (Winter 2020). He lives on unceded Coast Salish territory with the love of his life Shauna Kaendo.
Conor Kerr is a Metis writer living in Edmonton, Alberta. He was the winner of our 2019 poetry contest for his poem A Millenial Love Letter, which appeared in the Spring 2020 issue, and more of Conor's work will appear in our forthcoming summer poetry issue.
One of the most eye-opening experiences I've had recently as a reader is the ability to share my books with my daughter.
It is important to me to elevate the voices of female writers from my city. Voices that are rich, diverse and often lost in the shadows of larger cities like Vancouver and Toronto. In light of everything happening in the USA and around the world right now, it feels even more imperative to make sure I use this space to showcase a book from a Black author. This Is How We Disappear by Edmonton poet Titilope Sonuga is a book of raw beauty and fierce joy.
Disability is a spectrum we all experience at some point in varying degrees. We have all been sick and will get sick, and our physical and cognitive experience will change as we age. Accidents, illnesses, and impairments are a fundamental part of the human condition, as true as being born, needing breath, nourishment and love.
Is there anyone else out there who loves a big, thick, old-fashioned novel that is written with such sparkle and fluidity that you dive right in and only come up for air at three am when your vision shuts down and your bed has become a raft on the ocean of that new world? A.S. Byatt’s Possession is one such book for me.
This New York Times bestseller is an utterly fascinating look at the field of neuroscience, which is in the midst of a radical shift.
