At least you’ll leave a shoe print . . .
Postscripts from a City Burning, Sam Cheuk. Palimpsest Press, 2021.
The Energy of Questions
I Am The Big Heart, Sarah Venart. Brick Books, 2020.
Surrealestate: The Quandary of Home in New Stories by Meghan Bell and Kate Cayley
Erase and Rewind, Meghan Bell. Book*hug, 2021.
Householders, Kate Cayley. Biblioasis, 2021.
Kate Cayley has written two short story collections, two collections of poetry, and a number of plays. She is a frequent writing collaborator with immersive company Zuppa Theatre. Her third poetry collection, Lent, is forthcoming from Book*hug in 2023. Kate's poetry is featured in the upcoming winter issue of The Fiddlehead. Pre-order your copy today!
Shirley Harshenin writes from her home in the Okanagan Valley, British Columbia. She believes in angels, caffeine, and the human spirit’s extraordinary resilience. Her work has been published in Room Magazine, Contrary Magazine, The Journal of Compressed Creative Arts, Entropy: Woven, Nailed, Crack the Spine, The Nasiona, and others. Her "Invisible Walls: A Decentred Hermit Crab Sticky Note Narrative" was published in the 2022 creative nonfiction issue of The Fiddlehead. www.shirleyharshenin.ca
Ellen McGinn lives on Saturna Island with her husband and their dog. A graduate of the University of British Columbia’s MFA programme, she has published a book of poetry, From Dark Horse Road and her essay "Tabernacle" was published in the 2022 creative nonfiction issue of The Fiddlehead. Her plays were produced in the Vancouver and Victoria fringe festivals. Her current play, Antarctica Welcomes International Women’s Year 1975 is in its third draft. One of her favourite things was volunteering with Students On Ice.
Corinna Chong’s novel, Belinda’s Rings, was published by NeWest Press in 2013, and her stories have most recently appeared in Grain and Riddle Fence. Her story "Love Cream Heat" is featured in the new autumn issue of The Fiddlehead. She won the 2021 CBC Short Story Prize for “Kids in Kindergarten.” She lives in Kelowna and teaches at Okanagan College
Joe Enns is a writer, painter, and fisheries biologist on Vancouver Island. His works have appeared in Portal Magazine and The Link, and short-listed for FreeFall’s 2020 Prose and Poetry Contest. His poetry is featured in the new autumn issue of The Fiddlehead. Joe has a BSc in Ecological Restoration and is finishing a BA in Creative Writing at Vancouver Island University.
Johnathan Fahey is a writer from Moncton, NB living in Toronto. His work has previously appeared in Geist and subTerrain. His story "AceDougieFlexProductions" is featured in the new autumn issue of The Fiddlehead.
John Barton: Gay Canlit Icon
We Are Not Avatars, John Barton. Palimpsest Press, 2019.
When I told a friend I was about to write a review of We Are Not Avatars (Palimpsest Press, 2019), a collection of John Barton’s essays, memoirs, and manifestos, they looked at me quizzically and suggested I’d set myself on an unrealistic challenge, for how can anyone critique an icon? My friend gave me pause because I never considered John Barton to be one.
