Posted on March 7, 2022
Linda Trinh is a Vietnamese Canadian author who writes nonfiction and fiction for adults and children. She explores identity, cultural background, and spirituality. Her work has appeared in anthologies and literary magazines, including The Fiddlehead's BIPOC Solidarities issue, and has been nominated for two National Magazine Awards. She lives in Winnipeg / Treaty 1. Twitter: @LindaYTrinh
Posted on February 24, 2022
Tamara Jong (she/her) is a Tiohtià:ke (Montréal) born writer and cartoonist of Chinese and Scottish ancestry. Her creative nonfiction essay "Lessons" was published in the BIPOC Solidarities issue of The Fiddlehead.
Posted on February 22, 2022
Joylyn Chai is a Chinese-Jamaican Canadian educator, artist, and writer. Joylyn teaches English to new immigrants and refugees in Toronto. Her work has appeared in Rigorous, Thin Air Magazine, and is forthcoming in This Magazine. Her creative nonfiction essay "It’s No Big Deal. Not Really." appeared in the BIPOC Solidarities issue of The Fiddlehead.
Posted on February 18, 2022
Kirti Bhadresa is a settler living in Calgary/ Moh’kinsstis on Treaty 7 territory. She has been recently published in the Quarantine Review, Short Edition’s 300+ short story dispensers, and Thin Air Magazine. In 2021, Kirti graduated from Own Voices Alberta, a mentorship program for emerging writers. Kirti's story "Daksha Takes the Cake" is featured in the new BIPOC Solidarities issue of The Fiddlehead. www.beingkirti.com
Posted on February 9, 2022
Monica Nathan is a Pushcart-nominated writer whose work has appeared in Barren Magazine, Kros Magazine, and The Feathertale Review. She is a Contributing Editor at Barren Magazine, and spends her time working on a collection of short stories and writing articles in marketing and tech. She lives in Toronto and calls her husband and two kids home. Monica's creative nonfiction essay "Things I Won’t Be Remembered For" is featured in the new BIPOC Solidarities issue of The Fiddlehead.
Posted on February 4, 2022
Jessie Loyer is Cree-Métis and a member of Michel First Nation. She's written for Apex Magazine, the Montreal Review of Books, Prairie Fire, CV2, Canadian Art, the Capilano Review and her poem "wahwâ" is featured in The Fidlehead's new BIPOC Solidarities Issue. She's also a librarian.
Posted on January 12, 2022
ERICA HIROKO ISOMURA is a writer, artist, and cultural producer. In 2021, she received Room’s Emerging Writer Award and was longlisted for the CBC Poetry Prize. Isomura is working on a book of essays, a poetry collection, and a series of conversations among multi-generational, racialized artists in Canada. ericahiroko.ca. Her poem "re:birth" will appear in the upcoming BIPOC Solidarities Special Issue of The Fiddlehead. Pre-order your copy today!
Posted on December 17, 2021
David Huebert's fiction debut, Peninsula Sinking, won a Dartmouth Book Award and was runner-up for the Danuta Gleed Literary Award. His latest book of fiction is Chemical Valley (Biblioasis 2021). David teaches literature and creative writing at the University of New Brunswick. His story "Leviathan" was featured in the Autumn 2021 issue of The Fiddlehead.
Posted on December 13, 2021
Remember the incapacitating “brain fog” that troubled so many of us during the COVD-19 lock-downs of 2020 and 2021?
(Maybe you don’t, because…well, brain fog. Or maybe you do, because we’re still in the midst of a global pandemic and you’re still very much fogged up.)
In her introduction to Best Canadian Stories 2021, editor Diane Schoemperlen describes her own experience of “brain fog” this way:
"Although my love of reading had helped me through many crises in my life, now I found it too had mostly deserted me. [...] My concentration and attention span had dwindled to the point where I no longer had the bandwidth to read more than ten or twenty pages at a stretch. [...] I finally realized short stories could be the perfect antidote to this problem."
Posted on December 2, 2021
Dan O’Brien is a poet and playwright. His poetry collections include Our Cancers, War Reporter, New Life, and Scarsdale. O’Brien is the recipient of a Guggenheim Fellowship in Drama and two PEN America Awards for playwriting. His work has been published in several issue of The Fiddlehead, most recently in issue 283 (Spring 2020). He lives in Los Angeles with his wife and daughter.
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