Posted on April 21, 2022
The delicate interplay between past and present, what we carry with us, what we leave behind, and what others take from us is rendered in pitch-perfect prose in “The Makeweight Piece.” This story is set during a distant war in which the starving and the dying cling to art as prayer. As worship. As a way to define who they once were. So much heart is packed between the lines of a story whose tone is at once tightly focused and expansive that my own heart staggers and cracks open. As a reader I’m dying to be touched and amazed.
Posted on November 4, 2021
Our 2021-22 publishing intern Bailey Noiles will be sampling The Fiddlehead back issues and summarizing their contents, offering you interesting tidbits about our publishing past.
Issue 277 is the first installment. Enjoy!
Posted on October 1, 2021
Creative Nonfiction Contest Editorial
Posted on July 16, 2021
Posted on January 20, 2021
Fiction contest judge, Shashi Bhat's editorial on Elise Thorburn's winning story Rubens' Salmon:
Posted on January 11, 2021
"I often asked famous writers for addresses with the hope of obtaining work for The Fiddlehead; almost no one ever responded to my emails later, but Marvin replied with genuine enthusiasm, and so began a longtime relationship with the magazine."
Retired Editor Ross Leckie remembers Marvin Bell.
Posted on July 27, 2017
2017’s Summer Fiction Issue showcases great, sensuous stories from the east coast and west coast and around the world, including a wolf guarding a woman trapped in a crashed car, a teen’s fascination with shooting guns, a secret computer file and a zebra rug, flashers in the woods, a very funny exchange of old and young secretly sparring in a London restaurant, and of course, appropriation of Oscar Peterson’s piano bench in Australia.
Posted on May 15, 2017
By Ross Leckie, Editor.
I first came to the poetry of Norman Dubie as a student lurking in second-hand bookstores, finding bedraggled copies of his books, and taking them home with me. Well, I did pay for them, and then they paid me back. “These poems are as simple as ice,” I thought. Then I thought, “These poems are as damned complicated as ice. Slippery too.” If the devil is in the details, then so are the many gods of the living and the dead, and how we speak to them.
Posted on August 16, 2016
Very recently, The Atlantic published “The Greatest Poet Alive: The Feral Genius of Australia’s Les Murray,” a gushing, appreciative overview of Murray’s career disguised as a review of his latest book Waiting for the Past. It is far from alone in its adoration of Murray’s distinguished career. Though he does have his detractors, and he was a major figure in Australia’s “poetry wars,” his name is regularly included on lists of potential Nobel Prize winners, and Joseph Brodsky’s claim that Murray is “quite simply, the one by whom the language lives” is oft-quoted.
Posted on August 16, 2016
What is summer in Canada but a figment of our imagination. So how better to celebrate summer than to translate summer’s haze into the tangible leaves you hold in your hands right now, though poems, perhaps, are only words in passing. Poems might wander into the woods or slip down a rank alley, but we can follow them and let them hold us for a moment. You should take them to your summer haunts. Fire escape, cottage porch, side of the road, café, diner, pub, bar, flopped on a sofa with a fan playing across your body, on the beach, by the lake, on the river bank, on a park bench.
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