An Interview with Jill M. Talbot
By Kerry-Lee Powell
Jill M. Talbot's essay "Checkmate" appears in The Fiddlehead No. 277 (Autumn 2018), our all creative nonfiction issue.
By Kerry-Lee Powell
Jill M. Talbot's essay "Checkmate" appears in The Fiddlehead No. 277 (Autumn 2018), our all creative nonfiction issue.
odd sundays continues at 2pm on Sunday, December 2. Poets Travis Lane and Steve Luttrell will read at Corked Wine Bar, 83 Regent St. As always there will be an open set and a free book draw.
Šari Dale tells us why she recommends listening to Soccer Mommy's 2018 album Clean.
Look for Šari's essay "Eulogy for Pale Lilies" in this fall's all-creative nonfiction issue, edited by Alicia Elliott.
On November 2, 2018, The Fiddlehead celebrated the publication of a chapbook, Arrivals and Departures: The Stories We Tell, at the Alumni Memorial Building on the University of New Brunswick campus. The title is the first in a new Foraging Chapbook series.The writing originated from a special Writing Workshop for Newcomers to Canada, sponsored by The Fiddlehead in collaboration with The Multicultural Association of Fredericton during Word Feast: Fredericton’s Literary Festival (September 21-22), and led by Anthazia Kadir.
It was indeed unfortunate that the weather forces conspired against us on November 4, and that afternoon’s session had to be cancelled. Many people, including our host - Corked - lost power; many still have not had their power resumed. Our hope is that situation will be remedied soon.
Douglas Gibson, former senior editor and publisher at McClelland & Stewart and Douglas Gibson Books, will deliver a public lecture entitled “Across Canada by Story: A Coast-to-Coast Literary Adventure” on Monday, 19 November at Memorial Hall on the University of New Brunswick’s Fredericton campus, beginning at 7:30 pm.
No. 277 (Autumn 2018)
Our first ever creative nonfiction issue sets side by side a broad collection of creative nonfiction works, ranging in subject matter from psych wards, spider games, and shootings. Reading this issue resembles the experience of sitting around a campfire recounting true stories to loved ones using literary techniques of storytelling, keeping everyone hooked on every word. There’s sometimes a personal attachment to each story, creating a deep connection between author and reader. It is an intense reading experience entangling heavy topics with the gripping literary techniques of fiction writing.
What is creative nonfiction? Alicia Elliot attacks this question in the editorial. The issue is left unresolved; “there’s something about CNF that defies definition, that pushes against any box anyone tries to force it into.” There is no clear and concise answer that could fully incorporate all expressions of creative nonfiction writing. It is what you want it to be and becomes apparent by the diverse forms of writing found in the issue.
“The Lives of Milton Acorn” by Nicholas Herring reviews the life of Canadian poet Milton Acorn. Herring lists monumental moments throughout Acorn’s life but adds a realistic twist to the narrative. It demonstrates that writing a creative nonfiction piece does not have to be a personal project but can focus on a true story outside of oneself. Whereas “Garlic Pussy” by Zarrin Darnell-Martin juxtaposes an everyday life problem, having a yeast infection, with dealing with grief. It exemplifies an extremely intimate, almost voluntarily uncomfortable, form of creative nonfiction work.
The cover is from a local artist, Braelyn Cyr. It depicts Chief Allan Polchies Jr., Atlantic Canada’s first two-spirit leader. This portrait, as well as six others, were auctioned off as a fundraiser for Rainbow Railroad, a charity protecting LGBTQ2+ refugees against state sanctioned violence.
—Bailey Noiles
Intern, November 2021
R.L. Aseret recommends Kyoko Mori's The Dream of Water: a memoir. Look for R.L.'s essay "Spider Games" in this fall's all-creative nonfiction issue, edited by Alicia Elliott.
The Fiddlehead was saddened to hear of the recent passing of Raymond Fraser. Fiction Editor Mark Jarman and Laurence Hutchman pay tribute.